![]() “Suite In C” runs all over the place through musical styles for eleven minutes, even including a cameo appearance by Steve Winwood on piano and organ. It provides something of a different perspective to the second and third Crimson albums, while never being harsh at all, and even predicts some sounds on the fourth, which hadn’t been written yet. While it avoided the “demonic” character of the first Crimson album, the music was still elaborate, not quite prog, not quite pastoral, but still kinda jazzy. ![]() McDonald And Giles does carry on slightly from Crimson, down to labeling parts of songs the biggest difference of course would be the absence of a prominent electric guitar. Ian McDonald, who’d provided the saxes and keyboards, and drummer Michael Giles made one self-titled album together, which snuck out on the marketplace in mild competition with their old band’s latest. While Robert Fripp tried to keep King Crimson going despite a revolving door of players, two original band members made a stab at continuing on their own.
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